|▲ 관조, 221×168㎝ 한지+채색, 1999|
Since then, the consciousness and interest of the artist have yet transferred from one to the other, the qualitative touch of soil, patterns of porcelain pots, surfaces of old walls daffodils and various other old pots as her objects of painting, she has never become indulged in materialism for her subject matters.
To sum up, she would never fix up any specific motif to represent it in her pictorial space. Instead the artist would often prefer to a method of 'intuition. In this case, the method of utterance of motif to the artist subjective as well as intentional.
Under the premise of subjective comprehension and interpretation, it will eventually attain its justness through an objective comprehension. The connecting point of the artist's objective comprehension of her subjective comprehension and result of work would be the ‘sentiment’.
Sentiment is rather would not be caused by the objects but it is indicating itself as a half remaining foundation layer semi-unconsciously of a specific feeling. impression, atmosphere, idea and production of abstractness which awakens us to perceive the objects.
Very often, the feature of Korean traditions or Korean identity we may find in heer art works being formed as a foundation layer is an expression of a sentiment of the artistic objects (as compared with the materialistic presentation).
In other word, the original shape of object or existence would be closely similar to the sentiment. The artist, as mentioned, has noted the frequent occurrence of sentiment stirred up from the materialied aspect of objects (often inclined to take a crystallized from)rather then.
The attitude of artwork of the artist(한국화가 송수련,한지화가 송수련,송수련 화백,宋秀璉,SONG SOO RYUN,송수련 작가,Hanji Painter SONG SOO RYUN,한지작가 송수련,여류중견화가 송수련,KOREA PAPER ARTIST SONG SOO RYUN, KOREAN PAPER ARTIST SONG SOO RYUN) would in some cases be impressed vaguely would become possible as a conscious or unconscious strategic system in order to maximize a nuance of a particular art.
△Koh, Choong Hwan/Art Critic