|▲ The Blue, Acrylic on Canvas, 2012|
In Suh Kyoung-Ja's works, the figurative fragments are scattered like being dissolved into the whirling water; the petals, twigs and other floral elements are dispersed at the mercy of movement of pictorial matiere, reconstructing us to escape from other coherence plus abstract.
She makes the imaginative richness to be contained the magic of carving out, opposition, contrast, line, and other graphic signs. Suh Kyoung-Ja reinvented her proper vocabulary of aesthetics in order to translate her internal vision of reality.
The judiciously chosen value either in rapport with opposition or in accord with tonality, underlines the will of creator making the effect of mosaic in order to compose.
Sometimes a line, tracing the alive gesture, thus stimulates the order of the work. This rupture adds one pictorial energy to awake up the aspect organizing the composition.
The voluntary regard of Suh Kyoung-Ja(서양화가 서경자,SUH KYUNG JA,서경자 작가,여류중견작가 서경자,서경자 화백,ARTIST SUH KYUNG JA,徐敬子 作家,画家 徐敬子) in detail tends to recreate the poetical coherence in face of the confusion of the world.
Do not wish to lose the multiplicity that she offers to her contemplation, her artistic gait to seek to seize the unity of sense that restores the harmonious equilibrium in the bosom of diversity.
Her "Meditations" suggests with elegance the attitude of attentive observation for the appearances that leads to regard around us with the respect and increased fascination.
△파트리스 들 라 페리에르(par Patrice dela Perriere)