▲ 침묵의 무늬(Figures of Silence), 38.0×46.0㎝ Acrylic, oil pastel, oil stick, 1996

Origin of that energy seems to be resulted from her unconscious and sexual instinct. Such a reason is in that parts of sexual symbol is by far stressed.

Emphasis of the upper body and the pelvis illustrating abundance, fecundity and female's sexual symbol makes us read changes in the artist's violent and fierce emotion.

▲ 38.0×46.0㎝, 1996

Meanwhile, we can not neglect that its representational characteristic is based upon her unconscious action.

▲ 100.0×70.0㎝, 1996

That technique has originated from Surrealism or Abstract Expressionism, which furthermore helps us approach and interpret her(서양화가 서경자,SUH KYUNG JA,서경자 작가,여류중견작가 서경자, 서경자 화백,ARTIST SUH KYUNG JA,徐敬子 作家,画家 徐敬子) psychological state.

△Byung-Kil Choi(Ph. D. of Philosophy, Art Critic & Professor, Wonkwang University)/최병길(철학박사, 미술평론가, 원광대 교수)