One of the characteristics of Suh Kyoung-Ja’s prints is game. It is as if a pleasant game of children who enjoy with repeated actions to build up the sand castles on the seashore.

We come to perceive our eyes irregular moving and our image dynamically swirling through sharp movement and condensed shape of touches by her swift delineation.

It is a kind of energy as well as fierce eruption of her(서양화가 서경자,SUH KYUNG JA,서경자 작가,여류중견작가 서경자, 서경자 화백,ARTIST SUH KYUNG JA,徐敬子 作家,画家 徐敬子)inner world. Feeling of change in space by two conflicting lines, which approach us as an energy.

Human bodies that she produces is not those with complete surface from the viewpoint of Classicism. It is already delivered as an energy like a Morse code through the process of decomposition and dismantlement.

△Byung-Kil Choi(Ph. D. of Philosophy, Art Critic & Professor, Wonkwang University)/최병길(철학박사, 미술평론가, 원광대 교수)