|▲ 긴 의자의 누드 2007, 캔버스에 유화, 140×140㎝(The Nude on Love chair 2007, Oil on canvas 140×140㎝|
He also has demonstrated particular individuality in his figure, landscape, nude paintings and also still lifes as well. Individuality, the term used, indicates his notable sentiment and formative feature in his artworks.
His taste of art is characterised by the atmosphere of tranquility spreaded over the paintings in spite of any genre. The feature of his artworks might suit the Confucianism that praises modesty and abstained emotion.
|▲ Ifor 2009, 캔버스에 유화, 200×200㎝(Ifor 2009, Oil on canvas, 200×200㎝)|
It is similar to his view of the world. It also related to his nature, which does not try to hold his ground rather than being spotlighted himself. It is indeed a common trait for people living with oriental customs.
Namely, he makes painstaking efforts in manifestation and representation of an oriental sentiment in his artworks. It is the reason why he prefers to draw the naked apparence from behind than a suggestive figure from the front in his(ARTIST KOO CHA SOONG,具滋勝,서양화가 구자승,구자승 작가,구자승 화백,KOO CHA SOONG) nude paintings.
△Shin Hang-Sub/Art Critic