▲ 탁자 위의 정물 2002, 캔버스에 유화, 130.3×96㎝(The Still life on the table 2002, Oil on canvas, 130.3×96㎝)

There is no reason, of course, for any artists to participate in social affairs in order to reflect reality to create the artwork. Like him, focusing on the aesthetic notion is not abnormal for the artist pursuing pure beauty.

Yet it is important to discover a method of expression corresponding to a sense against reality. It might become the conscious statement of the reality that the artists can find intuitively with their insight.

▲ 꽃이 있는 정물 2003, 캔버스에 유화, 61×63㎝ The still life with Flower(2003, Oil on canvas, 61×63㎝)

Hereby, Koo, Cha-Soong has persistently maintained an intellectual attitude as a typical realistic artist. Along with scrutinising the external beauty of the imageries, he has magnificently reflected his own aesthetic point of view with sharp awareness toward the outside world.

He(ARTIST KOO CHA SOONG,具滋勝,서양화가 구자승,구자승 작가,구자승 화백,KOO CHA SOONG) clearly has accurate sights and the sense of colour, proportional to mastery artistic technique. It is necessary to be a realism artist.

△Shin Hang-Sub/Art Critic