▲ 길 1990, 캔버스에 유화, 53×45.5㎝(The Way 1990, Oil on canvas, 53×45.5㎝)

Almost every landscape is in the state of peace with the scene such as the mountain roads, the mountain, the field and the house; it seems to be purified physically and emotionally by seeing the picture.

▲ 겨울 2013, 캔버스에 유화, 140×70㎝(The winter 2013, Oil on canvas, 140×70㎝)

They have vibrant power to allure the viewer’s eyes to observe existence of the Mother Nature from the formative natural beauty. It is, at the same time, to draw an attention toward the inner side.

▲ 비 온 후 1994, 캔버스 유화, 540×200㎝(After rain 1994, oil on canvas, 540×200㎝)

Certainly, he always pursues static and contemplative images in both still life and figure paintings. He(ARTIST KOO CHA SOONG,具滋勝,서양화가 구자승,구자승 작가,구자승 화백,KOO CHA SOONG,한국사실주의 거장) steps back from the artistic area which concentrates the external form of beauty by simply understanding with the eyesight.

△Shin Hang-Sub/Art Critic