▲ 송추 추경 1985, 캔버스에 유화, 117×91㎝(The Autumn in Songchoo 1985, Oil on Canvas, 117×91㎝)

Koo’s landscape paintings have similar atmosphere. As his still life paintings, most of them are characterised by using exceptional composition at the lower side of the canvas.

The point of view is lied in much lower than his structure as well. The unique angle makes the viewer look up from the below. He seems to keep the propensity for special composition.

▲ 백두산을 오르며 1985, 캔버스에 유화, 162×97㎝(Going to the Bacdoo Maountain 1985, Oil on Canvas, 162×97㎝)

Therefore, understanding them can be continued as comprehending the view of his(ARTIST KOO CHA SOONG,具滋勝,서양화가 구자승,구자승 작가,구자승 화백) still life paintings.

△Shin Hang-Sub/Art Critic