|▲ 계란 1988, 캔버스에 유화, 97.1×97.1㎝(Egg 1988, Oil on Canvas, 97.1×97.1㎝)|
As the artists exceptionally skilled in the description, Koo also has mastered most painting techniques such as figures, landscapes and still lifes; they are also maintained a fine level. Namely, there is no poor painting in his art works. Based on his exquisite ability of depiction, he has never produced meagre works at all.
|▲ 뒤주 위의 정물 1989, 캔버스에 유화, 91×72.7㎝(The Still life on the a rice chest 1989, Oil on Canvas, 91×72.7㎝)|
It is possible that his intensive effort and mastery skill cannot allow to produce substandard paintings. It means that he is quite exhaustive as an artist. As a result, Koo can hold his position as a leading realism painter among Korean artists.
From his initial period his modest attitude as an artist might have been easily found by understanding his working story of the paintings. His sincerity and passion for them combined with understated expression promises to be a successful artist.
|▲ 발자취 1988, 캔버스에 유화, 53×53㎝(Traces 1988, Oil on Canvas, 53×53㎝)|
He especially establishes the opportunity to gain the public interest of realism paintings through the fierce artistic attitude that he has confronted the objects cerebrally with suppressing emotional express.
In fact, modern people has been seeking the certain notion in the painting more than any art enthusiasts. His(ARTIST KOO CHA SOONG,具滋勝,서양화가 구자승,구자승 작가,구자승 화백,KOO CHA SOONG)art works possibly meet their sensibility and also attract them.
△Shin Hang-Sub/Art Critic